…the painting surface is always a part of the art work itself. The behaviour of the stroke and paint. Layers might do something similar in the postproduction for photographers. But only similar. In my mobigraphic series “water colors” or “1 hour art” I play with natural grounds using them as my light-painting surface. In one moment – united – when the scene is drawn trough the lens. Depths and focus unfold themselves over the liquid mirror framed by its surface material – their environment.